[Cin] Colors tip from forum

[Andrew Randrianasulu]

сб, 30 июл. 2022 г., 18:40 Andrea paz <gamberucci.andrea at gmail.com>:

> > You meant LTC audio timecode reading?
>
> Yes, LTC timecode, CinGG scans various types of timecode (all LTC) and
> adopts what it finds in the edits.
>


So far I saw this email on ffmpeg list
---

Idea: could a filter be developed in FFMPEG, based on example files we can
provide, to identify the presence of an LTC-derived audio stream, and
additionally identify which of the streams is the LTC stream.
---

http://ffmpeg.org/pipermail/ffmpeg-devel/2022-July/298993.html


In pro filming environments, various cameras and audio recorders are
> capable of creating a synchronized timecode (jam-sync timecode),
> optionally also using external devices (Timecode Sync Generator). At
> this point in CinGG it is easy to do the alignment, just bring the
> edits to the timeline and use the "Align Timecodes" feature.
> https://cinelerra-gg.org/download/CinelerraGG_Manual/Align_Timecodes.html
> As I mentioned, in pro environments this step must take place in the
> pre-editing (Resources Window) and not on the timeline and must also
> provide replacement of the low-quality embedded audio track with the
> high-quality external one.
>

Well, but this mean audio scanning and trimming happen automatically? On
timeline you can manually align audio and video ..or at least see if
alignment worked as intended via waveform. How it done in other editors?

So far I can only imagine checkbox and flag in asset info/resources window
preventing importing audio from specified asset...

But I must admit Cinelerra probably was not meant to be used exactly this
way (or may be embedding mini timeline/waveform in info window quite too
much work.)

I saw waveform editor as tab in viewer (in Final Cut Pro) , may be it can
be implemented this way?

>
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