[Cin] video track monitors
cinelerra at posteo.de
Tue Mar 12 15:24:04 CET 2019
Great demostration Igor! I didn't know that was possible. Great thing.
On 12.03.19 15:06, Igor BEGHETTO wrote:
> Hi Daniel,
> take a look at screencast, please.
> Shared track function. It works for the Autos: Camera, Projector,
> Fade. Not for Effects and Transitions.
> The original idea is not mine but by igor_ubuntu user.
> Original thread to
> (Thanks again igor_ubuntu, everywhere you are!)
> Il 12/03/2019 5.01, Daniel Reurich ha scritto:
>> Hi Phyllis,
>> Perhaps a picture will help..
>> I have 2 camera recordings that provide the complete timeline for a
>> whole days footage, and I'm adding in additional content like slides
>> that were put on the screen.
>> What I'm ideally after is a monitor for each video track at the point
>> before it enters the mixer, and presents that tracks image at the
>> cursor. It would be what the mixer view presents but before any
>> fade/mute/mix is applied. It would be nice to be able to select between
>> pre and post effects.
>> Perhaps it could be done by extending the mixer viewer paradigm to be a
>> multi-stage moniter - able to select the following modes:
>> a) Input signal: this is the view you'd see from this track at the
>> timelines cursor but before any effects, fade/mute or mixing stages.
>> It would be like seeing what the raw frame of a 2nd camera feed looks
>> like at that point in the timeline. This would be useful for doing
>> things like aligning video from commodity camera's where different
>> angles of the same footage can be aligned to saw a clapper board.
>> b) Prefade - This is a view of the Input signal of the track the primary
>> effects including camera and projector effect applied, but before the
>> fader/mute stage.
>> This would be used to see the track Input signal with the effects
>> applied. It would useful particularly for preparing picture in picture
>> overlays and ensuring that before fading between tracks
>> c) Mixer view - This the same as the current Mixer view.
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